I love taking before and after pictures of my work, although I don't do it nearly as much as I should. The images on the left have one day of classwork left on them. The images on the right show what the piece looked like after I spent several days on it at home. I took pictures of the fabric that was underneath the model so I could work on that detail at home. Being my third figure sculpture class with Ellen Tykeson I decided that I needed to really push myself this term. Prior to this I had never sculpted fabric and was determined to make it read. There is always room for improvements but I have to say that I am pleased with the results on this first attempt.
I have also been working on opening up to conceptual and contemporary work. I still have my beef with much of what is produced with the excuse of being "modern" art but I am beginning to have fun with the conceptual side. I am absolutely in love with birds and I do what I can to work them into my art. I took this opportunity to do just that here. The woman's head is a mourning dove. A bird I love. For years I thought they were actually called "morning" doves. So this puts a slightly different twist on this feathered friend. The wings on this piece are less accurate. I did use reference images however, they are shorter than a wing should be. Nearly half the wing is missing. Only the primary feathers are really represented here. But then that leaves open several different interpretations. Is the wing sprouting from the body or is it in fact receding?
After deliberation over several titles I ended on "Pretty Bird" for this piece. Is this a woman past her prime who is no longer "pretty" or does her beauty exist even now as she ages. Is she like a caged bird trapped in this body or does she sing with joy as she seemed to sit comfortably nestled in her own "nest".
The meaning is in your hands.
What do you see?
